Renault Pôle Design

Guyancourt

Client :
Renault
Architect :
Chartier Dalix
Team :
Egis, Vpeas
Editor :
Ligne Roset
Area :
27 000 m²
Photo :
Takuji Shimmura, Studio Briand&Berthereau
Date :
2017
Info

The Renault Design Center was renovated in 2017 with the launch of the R*Génération project. The Studio was responsible for designing the furniture, facades and signage. The Renault group’s graphic charter is adapted into both position and directional signage. For position signage, the Studio created a graphic system of colored grids with varying densities. Applied via screen printing on the glass surfaces, this technique generates different levels of interaction, to correspond with the spaces’ usage and confidentiality constraints. The directional signage consists of glass panels mounted on wooden wall shelves, adding a creative and warm touch. As for the furniture, the Studio designed a lightweight stool, seat cushions for the numerous stands, and a series of lights comprising a suspension lamp and a desk lamp. Resembling large petals, the lights provide ideal illumination and necessary intimacy in the large open spaces. The Studio also designed all the furnishings, including a modular shelving system made of Batyline textile. These shelves offer display areas, discreet nooks, storage, and exhibition spaces through different modules. This semi-transparent textile shelving system complements the graphic grid on the glass surfaces.

Renault Pôle Design

Guyancourt

Client :
Renault
Architect :
Chartier Dalix
Team :
Egis, Vpeas
Editor :
Ligne Roset
Area :
27 000 m²
Photo :
Takuji Shimmura, Studio Briand&Berthereau
Date :
2017
info

The Renault Design Center was renovated in 2017 with the launch of the R*Génération project. The Studio was responsible for designing the furniture, facades and signage. The Renault group’s graphic charter is adapted into both position and directional signage. For position signage, the Studio created a graphic system of colored grids with varying densities. Applied via screen printing on the glass surfaces, this technique generates different levels of interaction, to correspond with the spaces’ usage and confidentiality constraints. The directional signage consists of glass panels mounted on wooden wall shelves, adding a creative and warm touch. As for the furniture, the Studio designed a lightweight stool, seat cushions for the numerous stands, and a series of lights comprising a suspension lamp and a desk lamp. Resembling large petals, the lights provide ideal illumination and necessary intimacy in the large open spaces. The Studio also designed all the furnishings, including a modular shelving system made of Batyline textile. These shelves offer display areas, discreet nooks, storage, and exhibition spaces through different modules. This semi-transparent textile shelving system complements the graphic grid on the glass surfaces.

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